Dossier
Felipe runs ISAI's analyses on your material, reads the results and adds what the project calls for. You get everything in one PDF with an index.
- Up to 10 hours of material: interviews or a cut
- 1 month of the Montador plan included
Felipe Lacerda has been editing and directing for three decades. He co-directed and edited Bus 174 and edited The Edge of Democracy. Today he reads other directors' material and tells them, in writing and in a conversation, what the film can hold and where the cut can go.
All of them start with a non-disclosure agreement, before any file leaves your edit suite.
Felipe runs ISAI's analyses on your material, reads the results and adds what the project calls for. You get everything in one PDF with an index.
Everything in the Dossier, plus two one-hour conversations with Felipe: the first after delivery, the second a week later.
Everything in the Reading, and Felipe follows the edit for four weeks, in one 90-minute session a week.
More than 10 hours of material, or more weeks of Edit Suite? We agree on the price in a quick conversation.
The subscription covers interviews. In consulting, Felipe also reads the script and the cut, with tools he has not opened to the public yet.
From the script came a reading against nine screenwriting manuals, with the first-act turning points marked on a ruler of the film.
From the finished film came a dossier of 54 charts, among them the comparison between script and cut, sequence by sequence.
Central Station is fiction. The consulting covers fiction and documentary.
Consulting clients are named only when the credit is public.
Editor, director and narrative consultant. Rio de Janeiro.
Very few people in the industry are able to conduct the storytelling the way Felipe does.
I have great admiration for his ability to think a movie, and to re-imagine it from the footage.
For the first time in years, I felt like I was learning something in an edit. The film is without question 100% better.
Anyone who has had the good fortune to have Felipe on board, as editor or consultant, will see his film to its full potential.
Felipe was the editor who gave me the most incredible and unimaginable proposals.
An editor who knows to maximize a story's potential and present the deep access that he/she has secured.